Most of the short story writers sought to charge their artistic production in cultural formats that reflects the reality of human relations, social life, and institutions as well. Not only is the story full of central, but the marginal has become the focus of writers' attention to draw their topics from it. Some stood at the identity of the self and its reference, employing it in a narrative structure, based on the duality of the ego and the other, and that resulted in a dialogue dimension that carries a civilized character, with divergent visions and ideas. The research aims - through a cultural reading - to reveal the hidden patterns in the story of the London Eye by the Iraqi writer Fateh Abdul Salam. The purpose of this is to explain the nature of the relationship between the technical textual structure and the human intellectual content in it. The reason behind that is to link the textual loads with the external world, as the actual, verbal, and intellectual activities in the story have semantic dimensions that refer to cultural systems.