If Arabic grammar has ripened and burned for some scholars, then Arabic rhetoric is still a wide field for consideration, especially if we know our need for good taste and good handling in studying it, and we know that it serves our modern literary lesson as well. I wanted my study to be a participation in the representation of a position from the positions of our old scholars in the circle of rhetoric, and the author of this position is Abu al-Abbas Muhammad bin Yazid al-Mabrad (d.258 AH), who is the one who is in the history of our flowering Arabism. Most of those who chronicled Arabic rhetoric count him from those first previous ones who participated in caring for the aspects of rhetorical art that characterize the Arabic phrase, and his efforts in this field are known, and they represent occasional features through the linguistic lesson of literary texts, and when their signals come as we read in Their studies, this is derived from the nature of the stage reached by the rhetorical lesson, which is the stage of description and indications without restriction and codification. Through a long association with the book (Al-Kamil), I was prepared to stop at the study of his work of simile to reveal the nature of his approach to the study of this art that grew and developed by the rhetoricians after it, because the file was the first scholars who studied this art and wrote such research in it The extensive, which indicates the literacy and the abundance of knowledge as evidenced by his insight into literature and the reasons for beauty in the phrase, even if his research had an effect of imitation, and that in his approval of the analogies that influenced the former in absolute approval with his admission that the metaphor is more people's words without differentiating between gender There is no doubt that it is one of the characteristics of the literary phrase in all literature, according to Dr. Badawi Tabbaneh.