Manifestations of the Female Self in the Novels of Wafaa Abdel-Razzaq
Abstract
The novel is one of the closest literary forms to prejudice the issues of the human self, due to its inclusion of a system of perceptions, relationships and imaginary narrative methods, which has recently qualified it to be considered an intellectual food dominating female discourses, by taking the feminine pain and setbacks as manifestations and cultural patterns that struggle with the male patterns that have dominated women for a long time, aware of the contemporary novelist of her marginalized gender issues and complex problems, Aware of the ability of this weak, powerful and now self-defeating, volatile, troubled, rebellious and defiant being to overcome its crises, and in addition to this, its speeches have relied on a number of narrative techniques and linguistic levels rich in allusions that express situations of unity and alienation, self-disintegration, absence of identity, loss of homeland and love of belonging, condemnation of tragedies and aggressive disasters, and the nakedness of a historical reality based on ideological contradictions and This is what the rich expatriate ethnic writer Wafaa Abdel Razzaq, whose poetic and narrative creations are referred to in Lebanon, sought, sought so we chose four of her most important narrative achievements in which the female and her dilemmas occupied a clear presence in her spaces, formations and themes, respectively: (The Extreme Madness of the Void Deliriums, The Sky Returns to Its People, The Dance of the Braid and the River, and Ten Prayers for the Body, and we saw in this research paper from the study approach an analytical approach Modernism, In this research paper, we considered the study's approach as a modernist analytical approach according to a socio-cultural vision, given the implicit implications of the discourses concerning marginalized human issues.