In fact, any creativity is a summons to what has accumulated in the memory of images, accidents, people, environment, ideas, and much of modern Arab creativity and its means is rooted in the depth of heritage and history, the root of the true creator in his land.. and this Khairy Shalaby who grew out of the mud of the earth in a village Shabas Umair, educated and imbedded in its soil, assuming the position of thinker among marginalized people or living in the shadows, and he was really the one who knows and is immersed with them, agonizing with the pain of the simple and suffering their suffering.The topic of dialogue, which is the subject of our research, is an important topic, as it reveals the strengths of the writers management of his characters: their movements, thoughts, and tendencies. Rather, it descends through dialogue to the smallest details of their lives.. Without dialogue, there would be no people, nor would there be a story, and without dialogue Speech is only structurally random.In this research, we dealt with the external and internal dialogue with their logical divisions in the critical container of narration and storytelling, which we talked about by searching for the aesthetics of that dialogue, which depends mainly on the strength of the narrator (the writer) in managing the theater of the novel, and the novel (Al-Kharraz) takes place in an impressive dialogue atmosphere in which it is exchanged The roles are like angels and demons, men and women with naive mentalities, and many diverse feminist personalities that gave them traits of maliciousness, envy and stubbornness.