The poetic text reflects the emotions and emotions of the poet, and perhaps the most prominent components of the poetic text is the interface of the poem, which is the opening (initiation), the first thing that comes across from its insider features, it is the beginning of speech, so the poet must choose an exquisite articulated expression, the threshold of initiation has a great role to show the meaning of the poem, and it is considered a missionary structure for the content of the text. Our poet Hassan bin Thabit has lived two ages, as he is one of the veteran poets who has taken hold of the artistic methods of the poem, and he is clever and strives to improve its initiation and disposal, and reveals the poetic energy of the text. That is why we find in his poetry the interrogative instrument (hamza) added to the negative (never), which gives a greater semantic meaning. The initiation and its relationship to the poetic text in the poetry of Hassan bin Thabit had a great role in revealing the contents of the poetic energy that the text carries that can be revealed by reading what the poet started, and this indicates the textual coherence of the poem, and he worked hard in close proximity to the poetic text and the relationship between Parts of this text, and it became clear that there is a compatibility between the lexical and idiomatic meaning of the initiation, and as for his creativity in terms of elimination and the conclusion, which Khatib Qazwini called (the completion) which are the features of literary styles, and the arrival of the meaning to the climax and completion of the process of revelation, so the conclusion is one of the most important requirements of the literary text, although it did not take its sufficient share of literary and critical studies compared to the remaining parts of the poem, but we cannot underestimate it, as it is the authorization of the poet to reach his goals.