This study dwells on the beauty of AL Quranic expressions in the aspect of movement, which is considered part of the beauty of performance in the holy Quran. The holy book is rich with various types of movements aiming at feeding the mind and exciting the imagination of the reader, so as to help him obtain a set of evidences that are invisible in the surface text. The study falls into two sections, preceded by an introduction and followed by a conclusion .The introduction involves the act of movement in the literary speech through the critics viewpoints. Sections one , deals with the text movement along with the image and personification movements , in which the researcher focuse on tge ability of movement in hiding a great deal of beauty in both the technical images and literary personification . Section two , is assigned for the discussion of the types of movements and their meaning through two subsectiong : the first is concerned with the speedy and slow movements , by depending on the criteria of speed and slowness. The second sheds light on the substantial and psychological movements on the basis of the hinguistic relations in the Quranic texts. The conclusion summarizes the main points and results of the study.