The space of the national poem in the collection of Palestinian songs: reading in the land of the poetess Sulafa Hijjawi

Section: Research Paper
Published
Jun 24, 2025
Pages
98-115

Abstract

Space is a language, it is the wide place on the earth and the space of space and its fullness if it widens. It is in the Sahih: the space and what widens from the earth. As for the reform, the space of poetry expands to contain various and varied things, such as place and time, things and events that fall under the authority of our perception through the processes of language And poetry in its reality has two spaces, the first of which is material, which is the environment in which the poet is disturbed, and on one end of which the poet participates in the formation of the perceptible framework and tangible his artistic experience, and the other is poetic, which is the world whose artistic lines govern the poet and his ability to photograph and interpret and his means in that language, the depth of the poets awareness and Siwa His space is the one that determines the ability of his poetic art to reveal because the spaces limitations are the most dangerous tattoos that imprint poetry in its dry circulation, indicating ideology and authority because this world has few components and common stereotypes, and it does not exceed the mental space in which the poets relationship with national, political and sectarian issues moves from Where they are ready-made and familiar expressions and feelings that were formulated by consensus and sealed with his rejection, so they are open to rapid digestion and assimilation. Wajia, and it breaks the narrow confessional frameworks to become a space that enlarges the tools that the poet possesses in expression.

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How to Cite

Al-Bustany, B., & بشرى. (2025). The space of the national poem in the collection of Palestinian songs: reading in the land of the poetess Sulafa Hijjawi. Adab Al-Rafidayn, 26(28), 98–115. https://doi.org/10.33899/radab.1996.166534