Metaphysical conceit means a far-fetched comparison between two totally different or dissimilar objects or situations to create aspects of similarity between the dissimilar ones. This meaning device is used widely by the Metaphysicals, a school of poets during the seventeenth century. Wallace Stevens's poems show his deep influence by this school in using conceits similar to the metaphysical one but with some invention and innovation according to his own age, temper and subject matter. His poetry is characterized by the seriousness implied by the use of elegant and light expressions(1). Hence, Stevens's wit lies in his ability to conjoin two thoughts by force and by using free verse through compact poems.
The Metaphysical conceit in Wallace Stevens's poetry assumes additional function and acts as the pivot of the poem. Thematically, Stevens's verse is a good example of secular and sacred poetry which shows a great interest in what may be called the 'symbolic conceits' for the unexpected and the quaintness of their comparisons. Wallace Stevens's conceit is the most metaphysical of all American poets. Since his scholarship, eccentric conjunctions, irregularities and latent violence have suggested to many readers a similarity with the poetry of John Donne .