The novel "Journey to the End of the Night" (12) by Louis Ferdinand Celine (1894-1962) represents a distinct place in French literature in the twentieth century because it represents a revolution in the world of writing the novel in terms of formulating its sentences that do not resemble the formulations of sentences known to other novelists. His sentences are not finished, but revolve around and swing around the farezha, wandering in bewilderment and hesitation in search of the three standing points that the writer frequently uses as a sign of suspicion and suspicion. Celine biased in his novel to the vernacular and leaned towards the music and rhythm of the language, until it resulted in a writing style saturated with vernacular speech among people, and hence Celine's peculiarity and aesthetics in reducing the distance between the two languages of writing and speech. It is not the discovery of the tragic human fate or the fate of his absurdity and misery that gave Celine's style its peculiarity, but rather the desire of this fate to be honorable and glorified, and to be the center of humanity. Little known in the history of the French novel.