Aesthetics of the title in madness and what I like to Najman

Contemporary critical studies have been concerned with title as one of the most important entrances to the text and its thresholds, so titles are no longer written arbitrarily, but have become highly intentional in all literary genres because of the semiotic and semantic presence it constitutes. Surprising the recipient, attracting and seducing him | He sought to reveal the aesthetics of addressing in the short story collection Junoon and the like of the storyteller Najman Yassin in order to reveal the interpretations of this textual threshold in that group. The research sought to benefit from the data of the modern critical curricula and to receive and interpret the text in the way that the researcher thought would lead to an understanding of its deep connotations, since reading is a new production of the text created by the recipient through his own understanding.