Dialogue in the novel (Two Branches of Cactus) by Khairy Shalaby

In fact, any creativity is a summons to what has accumulated in the memory of images, accidents, people, environment, ideas, and much of modern Arab creativity and its means is rooted in the depth of heritage and history. Shabas Umair, educated and imbedded in its soil, assuming the position of thinker among marginalized people or living in the shadows, and he was really the one who knows and is immersed with them, suffering from the pain of the simple and suffering from their suffering.The topic of dialogue, which is the focus of our research, is an important topic, as it reveals the strengths of the writer's management of his characters, their movements, ideas, and tendencies. Rather, he brings the dialogue down to the smallest details of their lives... Without dialogue, there would be no people, and there would be no story, and without dialogue Speech is just random.In this research, we dealt with the external and internal dialogue with their logical divisions in the critical container of narration and storytelling, which we talked about by searching for the aesthetics of that dialogue, which depends mainly on the strength of the narrator (the writer) in managing the theater of the novel, and the novel (Two Branches of Aloe Vera) takes place in an impressive dialogue atmosphere In it, angels, demons, ghosts, legends, and many diverse personalities exchange roles, delving into the depths of their personalities and the individual collective memory that the writer was managing and working to focus on her identity.