The cinematic image in the poetry of Al-Hutay'ah

The gender overlap between the arts is one of the things frequently mentioned in Arabic literature, due to the development that this intermingling achieves and the life it brings to literary texts in general, and poetry in particular, as poets went to illustrate their texts with different technologies from these technologies, which is the cinema that formed Its branches are rich material that contributes to the permanence and vitality of the texts. In this research, we will deal with Al-Hutaihs poetry by standing on the cinematic image in his poetry, as it constituted an important phenomenon that deserves research, scrutiny and standing on it, so our research will stop at monitoring the technologies of the cinematic image by tracing the cinematic texture in several axes, the most important of which is the photographic distance in its branches, as well as the viewing angles Whether it is a frontal or a background, and finally, the anecdotal material or the subject of the image, which is divided into two parts a main detailed image, and a brief marginal image.