Mo'in Bseisu in Shawqi Bahnam's Mirror- reading in the Holy Book of Anger

Shawqi Bahnams choice of Moin Bseisus poetry to study according to the psychological method has justifications that stem from his precise specialization in this field on the one hand, and his belief in the important relationship between literature and psychoanalysis on the other.This poet who mocked his creative achievement to serve his major central cause, as well as humanitarian issues in the whole world, bearing the banner of sacred anger, as Shawqi Bahnam said about him in his book, so that his poem would serve as a living ammunition in a live battle, without sacrificing the aesthetics of creative writing, which Bseisu was keen on To develop it by developing its technical tools in proportion to each stage and upgrading them in proportion to the weight and importance of the adopted issue.In our study, we tried to stand on this reading of Behnam to Bseisus poetry according to the psychological method, which proceeded to address the short aspects of the poets poetry by analyzing the various symbols and references, an analysis that did not delve into the outputs of psychoanalytic theories as much as it went into many literary, historical and religious sources. Books interpreting dreams, and dictionaries of Islamic, Christian and Sufi symbols.The critic touched on various aspects of the poet's psychological dimension, without delving into the mechanisms of psychoanalysis, and dropping psychological hypotheses and sayings on the poet and his poetry alike.The reason for this, according to our opinion, is the critics awareness of the nature of the poet and his intellectual and cultural orientations, which were affected by Marxist thought on the one hand, and the reflection of reality with all its manifestations and contradictions on the poets poetry on the other hand, as Muin Bseiso remained adherent to the realistic revolutionary dimension in his poetry, which made the subjective space for this poetry Narrow and limited, as the subject was dominant over the entirety of what was written to a large extent, so the attempt to study the psychological dimension of the poets poetry will not depart from linking this poetry with its subject and its historical and ideological reasons, as Bahnam did in this study.