Good poetry reading in the book (The Implications of the Opening of the Poem in the Pre-Islamic Era) by Ensaf Al-Jubouri

The research focused on the necessity of seeing the openings of the pre-Islamic poem as a psychological and artistic vision, and not just an artistic tradition that poets used to follow. It opens the doors for the student to see the insides of the opening derived from the poets insides and his genius in dealing with urgent and secondary topics.Insaf Al-Jubouri believes that the ruins were closely linked to the poets' positions and effects. Because it is a reference to their past, a renewal of their feelings, and a depiction of the emotional life and their memories, and the critic derived her vision of the meanings of the symbols of the opening of the poems in the various purposes of poetry based on the vision of the ancient Arab criticism, so she dealt with the views of Al-Amdi in the multiplicity of meanings that the poets brought to stand on the promises , Then she made a comparison between the positions of Ibn Rashiq and Qadama bin Jaafar in the way the poet used to formulate the poetry of Al-Mamdouh. And you see that the symbolic connotations appeared in the pre-Islamic poem in the Arab heritage in an intensive way that only those who belonged to this heritage could understand it, represented by Ibn Tabataba.From here we infer the profound knowledge and academic excellence of the critic Ensaf al-Jabouri in her employment of the ancient Arab critical heritage in revealing the connotations of the symbols of the opening of the poem in the pre-Islamic era.