The rhetoric of critical discourse Ancient Arabic criticism is a mode

This study aims to show that criticism has its eloquence, just as poetry has its eloquence, and this eloquence comes from the aesthetics of the critical language that the critic acquired after long experience, and this experience is what gave critical study its poeticism, elegance, and amazing magic.Certainly, the critic has a language that distinguishes him from others, and this language is what brings him closer to the sensitivity of the poet, in terms of eloquence, value, and convincing aesthetic impact in every critical discoverer, or critical vision. This means that the true critic possesses the highest rhetorical values in his revelation of phenomena and treatment of them in his unique language. Which belongs to him alone and no one else.This means that the critic's high critical competence comes only from aesthetic experience in composition, not to mention the creative talent, language, and special voice that distinguishes him from other critics.Thus we say: The literature of criticism is represented in everything that makes critical practice aesthetic value in revelation, adventure, and eloquence of conclusion.In this study, we aim to examine the critical writings issued by ancient critics, which carry eloquence in their language that approaches the poets creativity on the one hand and discovers what is implicit and hidden in the text on the other hand.